Lynne Shapiro | I’ve Read the Room

I’ve Read the Room

 

 

The photo of me in a velvet dress I wore ice skating with my mother at Rockefeller Center when I was small.

 

The little coat in Shindler’s List.

 

The neighbor’s hair (more towards the orange) of which I was jealous.

 

Stella’s 30-year-old, slider turtle “ears.”

 

My favorite pair of readers.

 

One of two loomed Lithuanian bookmarks that grace my writing desk.

 

The two-toned spine of Yi-Fu Tuan’s Passing Strange and Wonderful.

 

The 26 (times two) luminous leaded squares of the Dutch stained-glass doors that lead to our garden.

 

The timid male cardinal (due to his stand-out hue?) and his less timid, subtly colored spouse.

 

Brilliantly backlit, at times, the dot of color that informs us the male downy woodpecker is at the suet.

 

Rooftop peppers that punctuate the winter palette, strewn throughout the garden by squirrels.

 

Kitchen jars filled with smoked and sweet paprika.

 

The ristra I strung from shishitos that changed color at summer’s end.

 

The speckled comb of my mother’s folk art rooster that’s come to our house to stay.

 

 

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Lynne Shapiro has been a writer-in-residence in England, Morocco, and Spain. An arts educator for many years, she worked at the Whitney Museum of American Art and was once an assistant to Susan Sontag. Lynne’s first chapbook, To Set Right, was published by WordTech Editions (October, 2021). Her book, Gala, is forthcoming from Solitude Hill Press (March, 2022). She lives in Hoboken, New Jersey with her husband and elderly turtle. For more information and upcoming events, please visit her website; www.lynneshapiropoet.com

Geer Austin | Bird of Paradise & October

Bird of Paradise

With green spears
crested orange flowers
& bird beaks
I’m a showoff
a show stopper
an in-your-face
specimen of a plant.
Some say I’m pushy
like a rooster, a brilliant
tropical thing screaming
my name at sunrise
keeping you from sleep.


__________________________

October

My face is a jack-o’-lantern a couple of days
before Halloween. The oak trees in my yard
bear 24-karat acorns; squirrels break their teeth
on them. I smell a cloudless blue sky, but it’s raining.
I’m staring at my laptop. Alan Cumming is trying
to sell me stuff on Instagram, but I’m not buying.
I can taste the money those gold acorns will bring me.
Okay, I can’t really taste money & acorns
aren’t palatable. So I munch a Macoun I bought
at a farmstand the next town over. My neighbor’s kid
tells me to chillax, but if I follow her advice I’ll forget
to vote. Her mother tells me about pif paf pouf. I say to her
this insane bench of stoicism is not a comfortable perch.
I ogle the orange blossoms that attracted hummingbirds
last summer. All of them have flown to Ecuador
where they work a gig entertaining tourists. I remember
their wings whirring next to my face while I read
novels on the deck. I always flew after them
as they rushed toward their next flower. But Chucky’s
saying that’s not true. What does he know?
A honey-drenched butternut squash opens its interior
for me. Cinnamon sweetness splats my taste buds
& I think about dinner at an agriturismo in Sicilia
one year ago. An acorn lands on my head & black squirrels
scramble up tree trunks. Pretty soon it will be November.


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Geer Austin’s poetry and fiction have appeared in Poet Lore, Manhattanville Review, Big Bridge, Plenitude, BlazeVOX, Boog City, and others. His short story, “Stuart Livingston Hill,” is a recent episode of the podcast A Story Most Queer. He has served as a judge in the PEN America Prison Writing Awards and the Bisexual Book Awards. He is the author of Cloverleaf, a poetry chapbook (Poets Wear Prada). He lives in New York City.